Recent Articles
- Is Apple Immersive Video really so different & Why does it matter?
What Is AIV? In its simplest terms, Apple Immersive Video (AIV) is a new format that produces true stereoscopic 3D immersive films to play back inside the Vision Pro. The URSA Cine Immersive is the first camera on the market to meet the specifications required for AIV and is currently the only way to capture images for AIV. Apple released… Read more: Is Apple Immersive Video really so different & Why does it matter? - Believable and Immersive Audio
by Mike Seymour. First published on fxguide.com – 21 May 2026 We recently had a chance to think about and hear about advanced and professional immersive video, something we confess we don’t cover enough here at fxguide. The first was at FMX and the clever recording of audio and the second was regarding understanding ASAF for Apple Immersive Video, one… Read more: Believable and Immersive Audio - Delivering AIV For Streaming
How to deliver Apple Immersive Video for conversion to HLS for streaming delivery using an MV-HEVC Mez Bundle as an alternative to the massive Immersive ProRes bundle default option. - Immersive drama: more than VR — more than film
Closer to reality than virtual By Clara Chong, Director First published on FXGUIDE For over a century, storytelling for drama in traditional films has existed within a frame, a visual boundary that has defined the language and grammar of traditional film. In contrast, immersive drama has been evolving in traditional VR, including VR180 and VR360, with one of the first… Read more: Immersive drama: more than VR — more than film - From Camera To Cinema–Post Production of “The Holy Scoundrel”
First Published on NewsShooter By Ben Allan ACS CSI The incredible value of low-budget films as a means to experiment is at least as powerful in post-production as it is on set. As I discussed in a past article about the shoot for The Holy Scoundrel, the capacity to test, experiment, and implement innovative strategies in the relatively low-risk environment of a small film… Read more: From Camera To Cinema–Post Production of “The Holy Scoundrel”